Stop SOPA

Please tell your representatives in congress that you oppose the proposed SOPA legislation.

On January 18, 2012 I will be refraining from tweeting, posting on facebook or Google+, and posting here.  My site, scottepond.com will be down from 8am-8pm est.

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New Site and Migration News

Hello my friends! Exciting news, exciting news! Scott Pond Design Studios is moving by the end of the month. As of right now, we have a new beta site up and running over at ScottPond.com (No “e”). We are in the process of transferring all of the content you’ve come to love and enjoy here at scottepond.com. Until January 30th, you’ll be able to come here and sill enjoy the site as is. After that day, we” be closing up shop and dedicating our efforts full time at the new site.

If you get a chance, head on over to scottpond.com and let us know what you think. Thank you for all your support and interests over the years.

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Urbane Decay Gallery – The Water Tower

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Getting back into the fitness groove…

I’ve finally decided to get back into the weight loss and fitness groove after what has been way too long. If you care to follow my progress, head on over to my weight loss and fitness blog…

http://scottepond.blogspot.com/2011/12/its-been-way-too-long-now-i-need-to-get.html

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The Future of Mankind

Note from Scott: I wrote this piece several months ago based on a simple question: “If you could pick how you would die, what would it be?”  Very tough question, especially given what I was going through at the time with my father’s illness.  Another question I was asked at the time: “What would you want your 15 minutes of fame to be?”  This one was easier: to be mentioned/featured/glimpsed in a documentary of some sort.  Both of these questions apparently were bubbling and boiling under the surface of my mind because they came together in somewhat of a blended mishmash. When I put the two concepts together, this is what I came up with… enjoy!

 

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The Future of Mankind: An Audio-Visual History of the Lunar Colonization

A Historical Screenplay

Written and Narrated By Sid Ranck (Oct 23, 2137)

The following is an excerpt from the screenplay, occurring in Act 4, scene 6, set in the year 2083.

 

~789 Pages OMITTED~

Scene Fade To: EXT. Moon Surface

The shot pans across the lunar surface, starting with a stunning view of the earth above Lambert Crater, with the shot panning down to the sparkling reflection of a colony located at the crater’s base over 20 miles away. The shot slowly pans across to the right (73 degrees of rotation), the view sliding across Mare Imbrium, and centering on a small speck of reflection on the horizon, 25 miles away.  The view begins moving toward the spec of light, picking up speed until the lunar surface passes by in a flash, the camera moving to avoid large boulders, and then slowing as the form of a lunar vehicle begins to take shape.

NARRATOR Dialog: “In the years following the Lunar Revolt and the subsequent succession of the lunar colony from the Interplanetary Commonwealth, there was an unprecedented increase in voluntary immigration into the Luna Free States, rivaling even the immigration rates into what was once known as the United States of America in the latter portions of the 19th century and early decades of the 20th century. With the expansive sources of frozen water located in deep pockets below the lunar surface and the viable mineral deposits available from transplanted asteroids dragged into lunar orbit, the Luna Free States could, for the first time in its young history, support a growing population without the economically restrictive shackles of its previous overseers.”

 

Scene Fade To: EXT. Moon Surface, lunar transport vehicle, the Farseer

As the view focuses, the overall vehicles shape can be seen.  Six segments, like monorail-train segments, make up the main vehicle, with mirrored glass along both sides. Each segment is held together by a flexible coupling, with six large balloon tires on each segment providing locomotion and showing lunar dust kicking up due to the movement.  There is an access door on each of the 4 center segments, situated just behind the first set of wheels.  Each end of the vehicle looks similar, with the nose and tail tapering to a rounded point, polished viewports situated above what is presumably the driver’s bay and motor bay—although each end looks identical—with access doors on each side. All of this is seen as the shot rotates around the vehicle once, slowly, allowing the viewer to see that the vehicle is in motion toward a distant speck on the horizon. The rotation continues until it comes to rest on the access door of the third segment.  The camera then slowly approaches the access door, materializing through the reinforced steel and plasti-steel viewports to allow a view of the interior.

NARRATOR Dialog: “With the new economic, social, and governmental freedoms firmly established after the bloody revolts of 2064, 2068, and 2071, citizens began enjoying freedoms that had only been dreamed of prior to their emancipation from the expanding Commonwealth. Advances in medicine, engineering disciplines, and other lunar-viable industries opened the doors for enterprising individuals and corporations to expand the financial horizons of this growing nation, giving birth to social and economic growth, and opening the once restrictive gates of lunar potential to the masses. Industries such as entertainment and tourist services, once unheard in the pre-revolutionary Luna, found fertile soil on this stark globe in the latter portions of the 21st” century.”

 

Scene Fade To: INT. The Farseer (lunar transport vehicle), third passenger segment

On the interior of the passenger car, the shaded view of the outside lunar surface can be seen, illuminating the area.  Inside, rows of comfortable seats line each side of the 10′x30′ cabin, with a walking row in the center.  In all, only five of the seats are taken, populated by individuals in serviceable, but obviously worn, space suits and helmets. Their visors are up, giving the viewer an intimate view of each individual.  On the right, near the front of the cabin, is a young couple: a blond-haired and olive skinned young man, CARL, and his young Asian wife, MAKIKO, are clasping hands and talking quietly, with the occasional kiss, their eyes wide with excitement and obviously in love.  On the left side, about mid-way along the cabin is a young girl, MELISSA, approximately age 7, with dark eyes, hair, and looks, staring intently out the window at the passing landscape.  Next to her is a middle-aged man, ROBERT, with a receding hairline and care-lines worn into his hard face, although they seem to soften as he looks at his daughter out of the corner of his eye as he fills out a form on a data pad, perhaps a resume or a job application. In the back on the right side is an incredibly old man, SCOTT, at least a century old, his bald and wrinkled head propped gently against the side of his helmet, apparently asleep with a beat-up ancient data pad in his lap.  All of this is shown by the camera as it starts in the front of the cabin, moving to the back, and then turning around to face the front of the cabin just as the airlock cycles. A stewardess, CAROLINE, enters with a Antigrav service tray.

PILOT Dialog: “Hello everyone, this is Lieutenant Barnes, your PILOT.  Just wanted to let you know that we are approximately halfway between Lambert Station and our destination, Frechette City. CAROLINE will be coming through each of the cabins with a food service over the next few minutes.  If you look out the right side of your cabin, just off to the right on the horizon, you can just make out the silhouette of the Joint Nations Space Observatory. In another twenty minutes we’ll also be coming up on the Heinlein National Lunar Monument on the left, dedicated to the pioneers in speculative fiction and scientific advancement.  At our current speed we should be at Frechette in another eight hours.  So sit back, enjoy our offering of holo-cubes and the refreshment service, and we’ll talk again later.”

 

Scene Cut To: INT. The Farseer (lunar transport vehicle), third passenger segment

CAROLINE begins the refreshment service, stopping at the first couple, a cart of beverages and ready-meals on the tray in front of her. Her magboots make a soft “kerchunk” sound with each step.

CAROLINE Dialog: “Hello folks, my name is CAROLINE and I’ll be serving you for the second half of the trip. Would you care for a drink or a ready meal?  The drinks are 35 Loonies for sodas and fruit drinks, 45 Loonies for alcoholic drinks, and the meals are 83 Loonies for either the chicken or the pasta salad.”

CARL Dialog: “Hmmm, I guess I’ll take an Old Coke with some ice, and the chicken dinner.  <Turning to his new wife> Sweety, do you want anything?”

MAKIKO Dialog: “Oh, I guess I’ll have a Fuzzy Navel <GIGGLES> and the Pasta Salad.” <Turns and kisses CARL again, giggling>

 

Scene Cut To:  INT. The Farseer (lunar transport vehicle), third passenger segment

CAROLINE, smiling, gives the happy couple their drinks and rehydrated ready meals, offering CARL her data pad for biometric verification and payment, which he does, laughing softly with his new wife. CAROLINE then continues along the cabin to the young girl and father.

CAROLINE Dialog: “Well hello, little miss, how old are you?”

MELISSA Dialog: “Hi! I’m seven. <holding up 7 fingers> My name is MELISSA. My daddy and I are moving to Frechette City to start a new life.”

ROBERT Dialog: “Shhh, Small Fry, this nice lady doesn’t want to hear about that <TURNS to CAROLINE>. I’m sorry, she is just a little excited… we’ve… we’ve lived in the Holter warren for all of her life and this whole thing is like a little adventure for her…” <Lowers his heed in what looks to be shame or self-consciousness>

CAROLINE Dialog: “It’s all right, sir, <SMILING AND PLACING A HAND ON HIS SHOULDER>, Frechette is a great warren… there is lots of work going on in the expansion, with many job opportunities. I’ve lived there for most of my life and I wouldn’t live anywhere else here in the Luna Free States.  There are even public schools now… and a museum and arts center… you and your daughter will love it.”

ROBERT Dialog: “Thank you ma’am, I really appreciate it. <Keeping his eyes averted shyly> MELISSA, do you want anything to eat or drink?”

 

Scene Cut To:  INT. The Farseer (lunar transport vehicle), third passenger segment

CAROLINE takes ROBERT’s and MELISSA’s orders, with ROBERT paying with a low-income subsidized credit chip.  Afterward, she continues on to the last passenger, SCOTT, who hasn’t stirred, apparently still asleep.  CAROLINE pauses, as though considering whether or not she should wake him, and after a second, she comes to a decision.

CAROLINE Dialog: “Sir <gently shaking the old man’s arm>… sir… we’re at the halfway point.  Would you like some refreshments?”

The old man doesn’t respond, other than his head lolling slightly forward within the confines of his helmet.  CAROLINE tries shaking his arm a little more forcibly, and then his shoulder, but with no response… his eyes remain closed, his wrinkled face relaxed.  A little concerned and not wanting to alarm the other passengers, she quietly takes out her portable med-unit and attaches the retractable cable to the passenger’s integrated biometric monitor on his suit and calls up his data. 

On the data pad, she can see that his name is Scott Pond, a citizen of the Commonwealth, and that he has just turned 111 last week.  Scrolling through the screens, she accesses the Medical Status portion of the data pad and synchs the suit’s biometric monitor with her pad.  Suddenly, a low key constant hum suddenly sounds in her cochlear implant and a red flashing icon appearing stating “NO PULSE, NO RESPIRATION, NO RECOVERY POSSIBLE”.

Sighing she thumbs the mute button and disconnects her cable from his suit.  She sadly regards his ancient face, the eyes closed and face relaxed into what almost appears to be a calm, content, sleeping expression.

CAROLINE Dialog: <SOFTLY speaks into Scott’s open visor> “I’m so sorry, Mr. Pond, that you won’t be seeing Frechette… it really is a sight to behold.  But at least you went peacefully.  Many can’t say that much…”

Straightening up and putting her med-pad away, her eye catches sight of the ancient data pad in his lad.  She picks it up, intending to turn it off and place it back in his suit pocket, but stops as she glances the simple list on the screen.  It says the following, which the viewers see as CAROLINE slowly reads down the list, to rest on the last entry:

Things to Do Before I Die

<checked> Fall in love, get married and have children

<checked> Write a novel and have it published

<checked> Join the Navy and see the world

<checked> Get a Degree

<checked> Hike the Appalachian Trail

<checked> See the Great Wall of China

<checked> Climb Mt. Everest

<checked> Backpack Europe

<checked> Go on safari in Africa and bag a lion

<checked> Visit a Mayan ruin

<checked> Save someone’s life

<UNCHECKED> Visit the moon and see the sights

As her eyes fall on the last entry, they tear up slightly, a sad little smile falling across her face as she sighs slightly.  Clicking the touch screen with her gloved finger, she places a checkmark in the last entry.  With reverence, she places the ancient data pad back into his suit, and gently lowers his visor, locking it into place.  Patting his arm gently like a mother to a child, she checks that his harness is securely fashioned and then she slowly stands and backs away.

CAROLINE Dialog: <Sniffing back a light sob> “Congratulations, Mr. Pond, it looks as though you’ve done it all.  I’m just sorry you didn’t get to finish the trip.  Good luck on your next trip… I hope it’s a sight to behold.”

 

Scene Cut To: INT. The Farseer (lunar transport vehicle), third passenger segment

Moving to the back of the cabin toward the next segment, CAROLINE closes her visor and activates her closed circuit communication to the pilot cabin just as the airlock begins cycling.

CAROLINE Dialog: “Lieutenant Barnes, we’ve had a death in cabin three, passenger 08345756-23B.  Looks to be natural causes from advanced age and he is unable to be resuscitated.  Proper procedure has been followed and his suit is closed and sealed.  I’m forwarding you the passenger’s personal and biometric data now… we’ll want to contact the Frechette Transit Authority and let them know… moving on to Passenger Cabin four.”

 

Scene Cut To: INT. The Farseer (lunar transport vehicle), third passenger segment

The camera following CAROLINE begins to slowly back away, passing the sealed suit of SCOTT, the oblivious forms of ROBERT, MELISSA, CARL, and MEKIKO, turns and materializes out the passenger access door and speeds away from the travelling passenger vehicle, the landscape beginning to fly past again as the view fades to the next scene.

 

~689 Pages OMITTED~

——-

 

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Groundbreaking excursion into illustrated digital novellas… Jake Bible’s “Stark”

“Stark, Nebraska.
A town populated only by professional killers, assassins and hired guns. A town where the law is the Code and the Code only has two laws: Finish The Job You Are Paid For and Never Shit Where You Sleep.
So what happens when the two laws of the Code conflict? Blood. Lots and lots of blood.
Author Jake Bible, the mind that brought you DEAD MECH, The Americans and Bethany And The Zombie Jesus, now brings you the first of three illustrated tales of sociopathic horror and violence that will make any psycho cringe and run for mother.
Be warned, Stark will rip at your guts and tear them from your body. Stark will make you question your sanity and morals. Stark will do more than shock you, it will taint your very Soul.
Stark is just wrong.”

Jake Bible, the author who introduced us to the first drabble novel, “Dead Mech,” and a slew of other stories is out to break new ground again. This time around, Jake is spear-heading another innovative foray into self publishing: the first fully illustrated eNovella. The story is “Stark”, the first of three planned illustrated novels. In his own words, “Stark was born of a photograph, a single image of a man walking across a field with a pistol in his hand. From there a book cover was created, the sensational description was written, and finally, the novella itself was put to paper. Very similar to how exploitation films were done in the sixties and seventies of the previous century. And that was the spirit with which Stark was written: in your face, brutal, no holds barred, gritty, violent fiction.”

In order to do Stark justice, and to do the reader justice, Jake launched a Kickstarter campaign to hire a talented artist to do full illustrations for the novella and to also get it formatted and ready to be released. Stark will be groundbreaking in that, as of to date, there has never been an illustrated novella released in digital format. Heck, there may not be one in print!

Want to get in on the ground floor of this revolution in self-publishing and support Jake in his goal? Then head on over to his Kickstarter campaign page and donate a bit today.

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Frankie and the Pope

Just a little for fun humor…

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Photography: Urbane Decay Gallery

A new batch of Urbane Decay from around the Derry, Candia, and Raymond areas of New Hampshire.

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Asking for a little help from my friends…

Hello my friends. I normally don’t ask this, but there are times when I fully support asking for help.

One of my dear friends is asking for some help for his wife’s cousin, Emma, over in the UK. This is a desperate situation for a little girl struggling against an aggressive and rare form of cancer.

If you can’t send a little something, could you at least paste this link on your FB, blogs, and websites to help spread the work. Thank you my friends. -Scott

http://www.justgiving.com/AllforEmmaHoolin

http://www.scottsigler.com/node/5848

http://www.justgiving.com/teams/hope4emma

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Scott Pond Design Studios store!

Good new, good news, my friends and fans. Selected (and some new) examples of my work in the realms of photography, portraiture, and graphic design are now available for purchase. The company who is providing the printing and production service is Society 6 and I have to say their products look pretty darn good (I actually ordered a framed version of my “Box of Chocolate” picture and it looks fabulous). Please head on over and check out my offerings… well worth your time, especially if you ever wanted to own a “Pondy Original”.

To check out the store, click on this link or the picture: http://society6.com/ScottEPond/prints


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K. Gainor’s “Paladin Corps: Book 1″ Podcast is Live!

It is no secret that we, the human race, live in a broken world. Greed, corruption, bigotry and hatred surround us, hinder us, cripple us. It is easy to bemoan the state of things; to rant and rave against the injustices of life, and meekly hope for a brighter tomorrow… But what if that hope was no longer your wish, your prayer… But was now, your duty.  For Jackson police officer Kevin Lahzur, that very struggle, has just begun…

Paladin Corps. – Book 1 is a sci-fi action novel that follows Kevin Lahzur on his reluctant journey from disheartened local cop, to potential savior of the human race. Along the way, he must face the tests of the Concordium: an intersteallar alliance of alien races, and prove himself, and humanity as a whole, to be worth saving. Political corruption, corporate greed, hatred and fear all stand in his way, and Kevin must discover if he is strong enough to face the challenges ahead… Before it’s too late.

Find Paladin Corps on iTunes (K. Gainor in the iTunes store), at http://kgainor.squarespace.com/ … or over at http://paladincorps1.libsyn.com/

Tune in, and join the Corps.

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Halloween Pumpkin Carving 2011

Just a little spooky pumpkin carving fun… taken with a low-resolution phone camera.

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The Lives and Times of Andrew D. Codstopt, Savior and Scourge of the Universe – Part 1 (Revision 2)

Introduction (Revision 3)

If you’ve never heard of me, the first thing you’d probably want to know would be the details of my ignominious death, or whether I saw a light at the end of the tunnel, or did I feel any pain, or could it have been prevented, and all that other existential trash that everyone seems to want to know from the dead.

Frankly, I hate thinking about it. It makes me sad.

In the end, everyone dies. It’s rarely a fun experience, is almost always sad, is occasionally very smelly, and can be extremely messy depending on the circumstance. If you take away all the Darwinian ways that we stupid humans can die—electrocution, sports, vehicular accidents, drugs, weapons of all varieties, poison, crimes of passion, and the like—not to mention deaths from common things like old age, disease, and organ failure, what you’re left with is a very simple experience. One moment you’re breathing, thinking, screwing, eating, walking, sleeping, or whatever, and the next moment you’re not.

But our lives?

My life?

Now that’s a different story altogether.

But where do I begin?

What would help you understand my life, almost 900-years after my official demise?

What really defined the man known as Andrew D. Codstopt—pronounced “Koh-stohf” not “Kop-stopt”—beyond the sensationalized, and often fictionalized, accounts that the Journalist Consortium and the galactic government have spoon-fed to the masses?

What would help you understand the man who became known over the centuries by such monikers and noms de guerre as: Founder of the Interplanetary Commonwealth; Corsair of the Outer Expanse; Bringer of Hope and Light; Inmate 09871991A; Auntie Emil, the Scarlet Hand of the New London Thieves Guild; Elder Carmichael; Enrique Esteban Gutierrez (aka the Czar of Fashion); Padre José del Paño Eterno; The Shadow in the Darkness; Admiral Crispin Ramirez III of the Sixth Procyon Armada; La Voix de la Raison; and the Deathless One (as I’ve become known to a select few in certain secret shadow organizations within and without the Commonwealth), to name a few.

In the end, I guess it really comes down to the beginning.

To understand the man I would eventually become, and the personas I would adopt over the centuries, we need to go back to where it all began.

Back to rural Pennsylvania at the end of the 20th century, not too long before the world we knew died and was reborn anew.

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Same Old Stories (Revision 5)

The bus pulled into the sleepy hamlet just as the sun peeked over the horizon.

A young woman sat shivering on the bench in the dusty light. Her thin jacket had done little to keep her warm through the last few hours of the morning. Rubbing her hands together, she glanced around, her eyes wide and her mouth set in a firm line. The bus turned the corner and rolled to a stop in front of her. With one final look over her shoulder, she snatched up her bulging backpack and climbed onboard.

The heated air washed over her, enveloping her in its warmth. She glanced out the windows, searching, even as the doors closed behind her. She handed the crinkled ticket to the driver without a word.

“Morning, Miss,” he said. “Welcome aboard.”

Shouldering her pack, she mumbled, “Thank you, sir,” and glanced up the aisle.

The choice for seating was sparse. There were three open seats: one next to a large, wildly gesturing man in heated conversation with a razor-thin woman across the aisle; another next to a man buried in a book; the last next to a woman patting a crying baby.

Sighing, she made her way up the aisle, stepping gingerly over feet and weaving around the gesturing man toward the middle of the bus. As she approached, the reader looked up as he closed the book on his finger.

“Could I sit there?” she whispered, with a slight head nod toward the open window seat.

“Of course,” he said, climbing to his feet.

As she put her bag in the overhead, she raised her head and the hair fell back from her face, giving him a better view of her face. She’s kind of pretty, he thought. At a glance he guessed she was in her early thirties. She had delicate cheekbones, a small button of a nose, full lips, and an angular upturn to her chin, giving her face an almost elfin look. Then he caught a glimpse of the deep purple and yellow splotch under her right eye just as she closed the compartment. She dropped her gaze, her hair once again covering the right side of her face.

She slid into her seat, shrunk into the corner and gazed out the window at the small town. He then sat down just as the bus rolled away from the curb and closed his eyes, the book on his lap unread.

They rode along in silence for a while. After the town was twenty minutes behind them, she settled in, visibly relaxing. She looked around with wary eyes. Eventually they came to rest on the man at her side. She regarded him, tracing the curve of his face. He was average looking, aside from his deepening hairline and a largish nose that gave him an almost classical look. Her gaze drifted down, past his casual but expensive looking clothes. Definitely not a Walmart shopper, then, she thought. Her eyes fell to the book on his lap. Though his hand obscured the author and title, the cover art looked somehow familiar. A moment later she recognized it with a start.

“Are you reading Scott Sigler?” she exclaimed without realizing it. At the sudden sound of her voice, he jumped and almost dropped the book. He turned to face her, blinking, as she colored slightly and dropped her gaze. “Sorry. I didn’t mean to intrude.”

“You’re not intruding,” he said, his voice soft. “Are you a fan?”

“Oh yes, I’ve listened to all his podcasts.”

“How long have you been a fan?”

“I’ve been a Junkie,” she said, using Sigler’s term for his rabid fans, “since about 2006… a year after he released Earthcore. How about you?”

“I’ve been one since around the original podcast of Nocturnal,” he said, holding up the book for her to see. “It’s one of my favorites…”

“… that’s my favorite one!” she said at the same time. They laughed at the awkward moment.

“What a small world,” she chuckled, her face lighting up and instantly chasing away the years.

This girl is barely into her twenties, he thought, reassessing. She is really quite beautiful when she smiles.

They spent the next forty-five minutes talking about the relative merits of Scott Sigler’s stories, his more over-the-top concepts, and other authors they both liked. As the topic drew to a comfortable lull, the man reached out his hand.

“Well, my fellow Junkie, it’s great to meet you,” he said, noting that she cringed a little at his sudden movement. “Um… my name’s Mark, but you may know me better as ‘PappaBearsItch’ on the Sigler forums.”

“I recognize that name,” she said, extending her own hand tentatively. They shook, her hand small and clammy in his larger warm grip. “I’m Melissa. ‘Drab_Duchess19’, though I haven’t been… well, very active lately.”

Her hand came up to absently rub her cheek under her flowing hair. A small shiver ran through her and her eyes and mouth drew more pinched.

“I think I may have seen you in some of the older threads,” he said quietly.

She’s so sad, he thought, someone’s seriously messed her up… big time.

The talk lapsed into silence as the bus pulled into the next stop. Several people debarked and a few more got on. As the new passengers settled in, the bus eased away from the curb. The moments rolled by like the wheels on the bus, turning round and round, eating up the miles.

Finally, she turned back to him.

“So, Mark, where are you headed?” she asked.

As the last word left her mouth, his face instantly lost some of the warmth. It was as though a black veil suddenly was drawn over his features so abrupt was the transformation.

“Oh… I’m sorry, I…,” she began, embarrassed though she didn’t know why.

“It’s ok,” he said, looking down at his clenched fists. He forced his hands to relax with a visible effort. “I’m heading back home to the city. I… I was visiting… my wife’s grave.”

As he said the last, his voice cracked a little, the final words coming out as a whisper. His eyes welled up and he turned away, looking toward the front of the bus. The awkward silence hung in the air for several minutes, punctuated only by the thrum of the bus on the highway.

Just as she was about to apologize, to say something, anything, to fill the uncomfortable chasm gaping between them, he wiped away a lone escaped tear and spoke.

“Yesterday was the third anniversary of her death,” he said, his voice barely audible.

“Oh Mark,” she said, raising her hand to her mouth, “I’m so sorry.”

The quiet wrapped around them like a mist. They were lost in their thoughts, unsure what could and could not, should not, be said. He stared off into the middle distance, pain riding on his features like a familiar companion. She sat quietly beside him, her eyes darting from her own writhing fingers to his wounded mask every few minutes.

“Do you… do you want to talk about it?” she asked at last, breaking the silence.

“No,” he said, “I don’t…”

Her eyes widened at the sudden gruff response.

“You don’t have to if you don’t want to…” she interjected.

“… but I probably should,” he said as if he didn’t hear her. “It’s just that I… I haven’t had anyone to talk to about this.”

“I’ll listen if you want to talk about her.”

“I’m not even sure where to begin…” he said with a bitter laugh.

“Well, why not start by telling me what she was like or how you met?” she offered.

Tentative at first, he began talking about his wife, Susan, his eyes lost in the pathways of the past. He talked about how they met in their last year of college, how he was instantly drawn to her fiery attitude and green eyes and how she turned him down the first three times he asked her out. After they graduated from college, they had moved in together. He had fallen head over heals for her; with no surviving family of his own—his parents had died just after he finished high school—she quickly became his world, the focus of his existence. She was always the practical one, the steadfast one, balancing out his emotional tendencies and his more spontaneous approach to life. But despite her more sensible aspects, she was a gentle, kind soul.

“You see,” he said, a glimmer of moisture in his eyes, “she always wanted to help people. Even though she knew better, knew that she should be careful in the city, she always did what she could to help.”

“Not many people are like that anymore.”

“I know… and I tell myself that everyday. But I still wish that she hadn’t been so goddamn intent on helping people,” he said, his voice rising and breaking. After a moment, he said, “I’m sorry.”

“Don’t be, it’s ok. Go on.”

“One night after a long shift, she stopped to help someone. From what the police said, several witnesses had seen a man moaning on the ground, though they hadn’t stopped to help. Not my Susan, though. She stopped. She tried to help. And what did she get for her big heart? The man… the man he… well… he stabbed her, grabbed her purse, and ran off.”

His voice trailed off even as tears cut furrows in his cheeks. That night ran unbidden in his mind again: the phone call from the police, the numb unreality, the frantic drive to the hospital, and the kind but distant doctor and officer.

“She… died in the ambulance. She died alone and they never even found the man. I know she died doing the ‘right thing,’ but I… God, I still miss her.”

He wiped his face with his free hand, smearing the tears. They rode in silence, each lost in thought and not knowing what to say.

“I’m sorry,” he said, wiping away a last tear. “You’re the first person I’ve really talked to about this.”

“Don’t apologize, Mark. You need to get it out, face it. No matter how tough.”

“I know. Life must go on, right?”

“Yes, it must.”

“It feels good to get it out, but I have no right to burden you with my problems,” he said, glancing at the side of her face before looking away. “Especially when you have your own troubles.”

The moment lay in the air before them, awkward.

After a moment, he added, “I’m sorry. I noticed the bruise when you sat down. I… I shouldn’t have said anything. Please forgive me.”

She dropped her gaze as she raised her hand and then stopped when she realized what she was doing. After a moment, she sighed deeply and raised her gaze to his.

“I… don’t mind, Mark. Truly I don’t.”

“You don’t have to talk about it, Melissa. I know it must be hard for you.”

“It is,” she said, her mind in a race with her beating heart.

She turned and faced the window, watching the landscape roll by. They were closer to the city now, perhaps only two hours away. Tears formed in her eyes, threatening to escape.

“I’m not sure if I can talk about this, not sure if it makes any sense… not even sure you’d understand.”

“You don’t have to do it if you can’t. There’s no pressure…”

“I know…”

“We do have some time left if you want to get it out, to talk about it. Plus, I am a pretty good listener.”

She rubbed her face hard with her hands, wincing with the pain.

“Do you know what it is like to live in constant fear?” she asked.

His eyes widened. He was silent for a moment and then murmured, “No, I don’t.”

“I do, Mark. I know it only too well.”

Her hands closed into small fists, the veins standing out in stark relief on her frail hands.

“My father… was a piece of shit. He was an abusive, violent alcoholic. He used to beat my mother, severely, at least once or twice a week. Even though he was bigger and stronger than her, she did what she could to protect me from him. Until she “fell down the stairs” and broke her neck when I was only eleven. After she died, he got worse.”

“Oh, Melissa, that’s horrible.”

“Horrible? You don’t know horrible,” she said with an edge. “The beatings were only the beginning and were not even the worst of it. I could have handled it if it was just the beatings. He… he began molesting me when I was 13. Our little secret, he said, mustn’t tell anyone, he said.”

Mark shifted in his seat, silent.

“I didn’t even realize it was wrong until I hit high school, when I actually started making friends and talking about their lives. Up until then, I just thought it was part of family, part of being a kid. Part of being ‘loved’.” A bitter laugh of disgust.

“When I was sixteen, he died from cancer. I think I cried more from relief than from grief. But then I had to face reality alone, had to take care of myself. For the first time in my life I was free… and I was messed up. I… I was lost. Did things I shouldn’t have done. Drugs and sex mainly. Tried to end things a couple times. Typical depressed teen crap.”

“How did you make it through?” Mark asked, his eyes wide.

“I honestly don’t know. I had some friends who were doing worst things than I was. I started to see what they did, things much worse than I was doing. One was even prostituting herself on the weekends. But even though I wasn’t doing as much as they were, I started to see myself in each of them. It disgusted me. I started to ask myself what would my mother say. One day I just woke up and decided that I didn’t want to live that way anymore. By the time I was a senior, I had my life pretty much under control and as close to normal as any kid is. I finally came to terms with my horrible childhood and started looking to the future by the time I graduated.”

She paused, turning to look out the window. “And then I met Jesse.”

Several minutes passed before she turned back to Mark.

“When we first started dating, he was so nice, always a gentleman. I was his ‘princess’,” she said.

They met a few months after she graduated, when she was working at the diner. He was a few years older than her, a weekday trucker as they call them, and he just seemed so mature. They jumped very quickly into a heated relationship and were married within six months. She had never been so happy and it was bliss for a couple years. Then they started trying to get pregnant, “to start the next phase,” as she said, but they didn’t have much luck. She got pregnant a couple times but miscarried each time. They started seeing specialists to try and find the problem, which cost a lot of money. Jesse had to work longer hours, which started to put a strain on their lives.

“The abuse started a year ago, right around the time he got laid off and started staying out late. It was just little stuff: name-calling, getting angry. Small stuff. Stupid stuff. He would apologize the next morning and things would be good for a little while. Until the next time.”

“They say that’s how it normally starts,” Mark said.

“It is. Believe me, I know. I… I thought it was my fault, that I was doing something wrong. I started working harder to make things better, to make him happy. It seemed to work for a while. But then about two months ago, he slapped me for the first time. I don’t even really remember why, just that it was out of nowhere. Since then, he’s been more… physical, hitting me or pinching me when I say something he doesn’t like… or when I don’t give him what he wants. Especially in bed.”

She paused, the last statement hanging between them, untouched.

“I tried to make it better, tried to make it work. I tried to pretend I wasn’t being abused. Again. I tried to pretend that he wasn’t becoming just like my father. Tried to fool myself that he wasn’t sleeping around. It worked for a while.”

She reached again and touched her face, her eyes distant. Mark slowly shook his head, disgusted.

“But then he came home last night, drunk again and reeking of sex. And he punched me.”

She sat waiting in the kitchen, his plate of food long grown cold. Dishes were piled on the counter but she was too tired and fed up to even bother. Her head was in her hands, her eyes puffy from the long night. At last she heard the car pull up and the door slam shut. She looked over he shoulder at the clock on the stove.

11:34 PM

She was on him as soon as he walked in the door.

“Where the hell have you been?” she demanded, their noses almost toughing. His eyes were hooded, trying to focus on her face. The stench rolled off him, the smell of alcohol and something else. Something musky. Something… hormonal.

“Who were you with, Jesse? Who were you screwing?” she demanded, her voice icy.

“Leave me alone, Missy. I’m tired and gonna go bed,” he slurred, trying to push past her.

“No you asshole, you will tell me now, tell me why you are throwing us away!” With that she put her small hands on his chest to stop him.

Her touch seemed to sober him a little. He stopped trying to move past and instead looked down at her hands, than back to her face. The slur all but dropped from his voice as he quietly said, “Don’t. You don’t want to do this.”

“Yes I do, Jesse,” she snarled, “I’m tired of being pushed around by you.” She had thought about this confrontation all night, thought about and rehearsed her words very carefully. She was tired of being pushed around and used. She was even willing to deal with the slaps that he was likely to give her for standing up for herself. She had anticipated his temper getting the best of him.

What she hadn’t anticipated was that he would actually go so far as to punch her. As his balled fist connected with her face, rocking her head back, she flailed backward, knocked into the counter.

 

Mark just watched her, his mouth slightly open.

“He actually punched me. Just because I asked where he’d been. And that’s when I knew it was finally time.”

The force of the punch knocked her against the counter, twisting her. Then he was on her, slapping and hitting, all the while swearing at her dazed form. She put up her hands to block his blows, but they were knocked aside. She reached, groping, and her hand wrapped around a slim handle. She then swung the handle with all her might at his head.

The iron skillet connected with his skull with a resounding BONG.

He fell away from her, falling hard on his rear, his head lolling to the left. She pushed herself off the counter and without a thought brought the skillet around again, knocking him flat on his back, unconscious. Panting heavily, she dropped the skillet next to him, and put her hands on her knees, out of breath. She looked down at him, disgusted. With deliberate movements, she spit on him and, rearing back her foot, kicked him between his splayed legs. He only moaned, barely moving.

“No more, asshole. I’m done with this shit.” With that, she walked out of the kitchen to the bedroom.

 

She looked off into the middle distance. Tears flowed down her cheeks to pool in droplets on her chin.

“Things have… recently changed, giving me a new perspective. There’s more than myself to consider, now.”

Her hand moved to her stomach, rubbing it as she turned to stare out the window, wondering if this time would be the time, if she could keep it. A small, sad smile dragged at her face.

“I just can’t do it anymore. Not now.”

She wiped away the tears and turned to finally look Mark directly in the eyes for the first time. A small smile turned up the corners of her mouth.

“After he… passed out, I called my friend who lives in the city. She’s willing to put me up until I can get on my feet, long enough to get my life started over again.”

“What will you do?” he asked in a quiet voice.

“What I have to do… what I should have done years ago. I’m done being scared. No more. Not ever again.”

“Will you be safe?” he asked, concern etched on his face.

“I think so. He’s a coward when it really comes down to it. I think he’ll be grateful, if the truth be told.”

“I’m so sorry, Melissa,” he said after a moment. “It sucks but it sounds like the right choice.”

“I think so too. It’s time. We’ve both known it for a long time.”

They sat in silence for a while, the miles passing underfoot, both lost in thought. Outside, the edge of the city slowly moved past the window as they neared the end of their journey. After a few minutes, the silence was replaced with small talk and period of quiet. For another hour, there was no past, no future. Though strangers, they took comfort in each other’s company, happenstance, pain, and common interest filling the void for the moment.

When the bus rolled to its last stop, they disembarked in silence, the moment heavy. Awkwardness descended like a stage curtain as they stood in silence, unsure what to say. Finally, they exchanged a few mumbled “goodbyes” and “good luck,” before they turned and walked their separate ways.

Melissa walked through the terminal, toward where she knew her friend waited. She walked with her head held high. As the station doors swung shut behind her, she saw her friend across the way waving to her. Even as she raised her own hand in greeting, she heard a voice behind her.

“Melissa, wait up for a minute.”

She stopped, her heart instantly thumping in her chest as she turned.

“Yes, what is it, Mark?”

He came to a stop a few feet from her, his face flushed and slightly out of breath. For a moment he just stood there, as if unsure what to say.

“I… I just wanted to say thank you. It’s not too often that I… well, that I meet a fellow Junkie. I’d like you to take this… from one fan to another.”

With that he handed her the book. She tried to protest, tried to give it back to him, but he was firm, telling her that he had another copy at home. After a few moments, she finally relented, accepting it with a smile. He returned the smile, said, goodbye, and then walked away.

She watched him go. Only after he was out of sight did she look at the book in her hands. She opened the book to the first page, the hastily scribbled words drawing her eyes instantly.

~ When you get settled, if you ever want to talk,
give me a call (548-695-2376). Your friend, Mark ~

She closed the book, turned, and walked to her waiting friend.

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Unfulfilled Desires (Free Verse)

BLANK PIECE OF PAPER

Bristol smooth and blank of face.

Fibrous potential, bare vessel, beckoning.

It yearns, it begs, it teases, seeking caresses.

Abandoned lover; expression of seed and soul.

My fingers, my tools, flaking rust, purpose lost.

Screaming itch, they tremble with dusty need.

Expectant desire, seeking merging release.

With a stroke, a scribble, light emerges,

emptiness purged, desire satiated.

Engorged longing discharged.

Illustrated Genesis;

fulfilled promise

of becoming

Complete.

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Custom Design – Scott Sigler’s “All-Pro” Color Insert

AWWW YEAH! Whose House? Shuck Yeah, it’s OUR house!

I know I’ve mentioned Scott Sigler’s works many times before… and I will continue to do so for a long time to come. Why? Because his work is fan-friggin-tastic and he and his Director of D∅∅m at Dark ∅verlord Media, A B Kovacs, are just bloody brilliant people. Literally bloody and brilliant. They are EEEE-VIL, don’t you know.  :-)

Scott Sigler’s third limited edition hardcover book in his GFL series, the All-Pro, is a rip-roaring joyride into Quentin Barnes’ third Tier One season in the Galactic Football League (GFL). The All-Pro is as good if not better than his previous works on many levels. It’s just amazing. The story and concepts he is delivering in his GFL franchise are top-notch and he’s really coming into his own as a writer. Alone, just the story is enough to make you say, “wow, this guy is the next Stephen King… he’s gonna be big!”

And if his Fan-frickin-tastic story isn’t enough, yours truly (yes, me: Scott Pond) got the rare opportunity to design the 16 page color insert in this baby. To say I was humbled and overwhelmed and excited is an extreme understatement. I mean, come on… it’s Sigler and his ever delightful Director, A Kovacs. Who wouldn’t be humbled, overwhelmed, and excited to work with two such Amazing people?

What I like about these two is that they have a clear vision of what they want and where they want to take Scott’s work. With such a clear starting point, the process of creating something visually for them is at the same time easier and much more critical. They really pulled out the best of my work on this one.

In this gallery, I’ve included pictures of each of the pages from the insert, an example of what the front and back cover looked like before and after I worked my PhotoShop magic, and details of the stadium pictures I put together for the insert. I have to say (with as much modesty as I can muster) that this is one of the projects that I’m most proud of. Thanks Scott and A for the opportunity!

While you can get a glimpse of the insert here, I have to be honest… the best way to see the detail of this is to order a copy. A and Scott did a great job putting this book together and it is, in my humble opinion, one of the most professionally produced books I’ve seen, one that I’m proud to have in my collection. Order yours today!!! http://www.scottsigler.com/GFL

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Custom Design – SiglerFest2011 Logo and Tee

SiglerFest2011, held in May 2011, a rag-tag extravaganza of epic proportions, was touted as a festival to celebrate the glory and imperial majesty of the Future Dark Overlord^TM, Scott Sigler. It more than met its expectations. Featuring exclusive literary readings, a chance to meet fellow fans, rubbing elbows with the awesome Scott Sigler and A Kovacs, blessings by Pope Siglericus, prizes, Getting Pissed with the FDO, a visit by Frankie and a rare moonlit excursion with him, and of course Junkie Jeopardy, it fit the bill and then some.  To say it was amazing is an understatement. If that were not enough, I got the opportunity to work with Scott and A to design the Tee-Shirt and Logo for the extravaganza. What a great pair of people to work with. They bring out the best in my work… and then some. The logo we came up with was featured on the banner, the badges, and the tee. The tee was especially fun… featuring the catchphrase “Dig The Sig”, it also had the names of all the “Junkies” (i.e. Sigler’s rabid fans) who were attending.  If you haven’t had a chance to check out Scott and his work, I suggest you do so with extreme recommendation (only because legally I can’t order you to do so).

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Photography: Panoramas

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Logo Design: K. Gainor’s “Paladin Corps – Book 1″

In the late summer of 2011, I had the opportunity to do some design work for up-and-coming author, Ken Gainor, for his new debut book, Paladin Corps – Book 1, a science-fiction adventure. In his words:

Paladin Corps. – Book 1 is a sci-fi action novel that follows Kevin Lahzur on his reluctant journey from disheartened local cop, to potential savior of the human race. Along the way, he must face the tests of the Concordium: an intersteallar alliance of alien races, and prove himself, and humanity as a whole, to be worth saving. Political corruption, corporate greed, hatred and fear all stand in his way, and Kevin must discover if he is strong enough to face the challenges ahead… Before it’s too late.

Ken was an absolute delight to work with. He already had a very specific idea as to what he needed, which made the process very smooth, giving me more time to concentrate on perfecting his design instead of trying to determine the initial design.

If you haven’t had a chance to check out his work yet, make sure you do. It’s a very cool story. Find Paladin Corps on iTunes (K. Gainor in the iTunes store), at http://kgainor.squarespace.com/ … or over at http://paladincorps1.libsyn.com/

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Props and Other Everyday Objects

Another avenue I like to explore is creating handmade props and objects. In this realm, just about anything is possible…

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